12. Whole bows with attention to up bows at the point: Sevcik Op.3, Variation 12

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21. Fast bows with even sound & quick reset for control at point: Sevcik Op,3, Variation 21 21. Fast bows with even sound & quick reset for control at point: Sevcik Op,3, Variation 21
Sevcik Op.3 Var.12 Sevcik Op.3 Var.12
13. Clockwise and anti-clockwise motions in string crossings; Sevcik Op.3, Variation 13 13. Clockwise and anti-clockwise motions in string crossings; Sevcik Op.3, Variation 13
7. Different parts of the bow, rhythms and dynamics: Sevcik Op.3, Variation 7 7. Different parts of the bow, rhythms and dynamics: Sevcik Op.3, Variation 7
27. Sautillé with string crossings & accents: Sevcik Op.3, Variation 27 27. Sautillé with string crossings & accents: Sevcik Op.3, Variation 27
11. Combining different (separate) bow strokes & rhythms: Sevcik Op.3, Variation 11 11. Combining different (separate) bow strokes & rhythms: Sevcik Op.3, Variation 11
23. Long notes & Up bow staccato in different parts of the bow: Sevcik Op.3, Variation 23 23. Long notes & Up bow staccato in different parts of the bow: Sevcik Op.3, Variation 23
35. Catch - release concept in melodic context: Sevcik Op.3, Variation 35 35. Catch - release concept in melodic context: Sevcik Op.3, Variation 35